SŌMA MONO EARRING
Metal documents the inner logic of the body: tension, bend, the point of attraction as a trace of a movement that never happened, yet was inevitable.
Weight: 18 g
Finish: Silver, cubic zirconia
Metal documents the inner logic of the body: tension, bend, the point of attraction as a trace of a movement that never happened, yet was inevitable.
Weight: 18 g
Finish: Silver, cubic zirconia
TACT EARRINGS
This is the rhythm of two intersections, where lines exist not to form a pattern, but to record the very fact of encounter: the form does not depict movement — it is its trace, left behind after the movement has already ended.
Weight: 4 g
Finish: Silver, cubic zirconia
This is the rhythm of two intersections, where lines exist not to form a pattern, but to record the very fact of encounter: the form does not depict movement — it is its trace, left behind after the movement has already ended.
Weight: 4 g
Finish: Silver, cubic zirconia
ORBITA EARRINGS
The object is an open metal arc, balancing betweencompletion and incompletion. Its line does not close into a ring, but remains
open, preserving a state of constant tension. This incompleteness becomes the primary compositional principle: the form exists as if in the process of becoming, never reaching its final point.
Weight: 19 g 50 × 50 × 5 mm
Finish: Silver, cubic zirconia
The object is an open metal arc, balancing betweencompletion and incompletion. Its line does not close into a ring, but remains
open, preserving a state of constant tension. This incompleteness becomes the primary compositional principle: the form exists as if in the process of becoming, never reaching its final point.
Weight: 19 g 50 × 50 × 5 mm
Finish: Silver, cubic zirconia
PRESSURA EARRINGS
A drop that does not fall. A tear suspended in metal.
The stone as a mass that presses upon the form.
Weight: 1 g,
Two sizes: 7×10×10mm \ 6×4×10 mm
Finish: Silver, cubic zirconia
A drop that does not fall. A tear suspended in metal.
The stone as a mass that presses upon the form.
Weight: 1 g,
Two sizes: 7×10×10mm \ 6×4×10 mm
Finish: Silver, cubic zirconia
ARCUS 3 FINGERS RING \ PENDANT
The object unites several fingers into a single structure, turning the hand into a carrier of an abstract sculptural composition.
A closed metal line recalls a continuous loop — a form without beginning or end. It has no front or back side.
Weight: 20 g
Finish: Silver
The object unites several fingers into a single structure, turning the hand into a carrier of an abstract sculptural composition.
A closed metal line recalls a continuous loop — a form without beginning or end. It has no front or back side.
Weight: 20 g
Finish: Silver
SPIRA RING
A form as the trace of a completed rotation, where two black
stones mark the extreme points where movement began and where it ended.
Weight: 6 g
Finish: Silver, cubic zirconia
A form as the trace of a completed rotation, where two black
stones mark the extreme points where movement began and where it ended.
Weight: 6 g
Finish: Silver, cubic zirconia
GESTURA RING
The object is built on the principle of controlled intersection. The work explores the state of equilibrium between contact and distance, movement and stillness, linearity and volume.
Weight: 3 g
Finish: Silver
The object is built on the principle of controlled intersection. The work explores the state of equilibrium between contact and distance, movement and stillness, linearity and volume.
Weight: 3 g
Finish: Silver
TENSIO RING
The smooth line of metal is free of geometric rigidity. It looks as though the material was in a fluid state and solidified a moment before joining. As a result, the object reads as a form that emerged naturally — like a bone, a drop, or organic tissue.
Weight: 6 g
Finish: Silver, cubic zirconia
The smooth line of metal is free of geometric rigidity. It looks as though the material was in a fluid state and solidified a moment before joining. As a result, the object reads as a form that emerged naturally — like a bone, a drop, or organic tissue.
Weight: 6 g
Finish: Silver, cubic zirconia
SINAPS RING \ PENDANT
Each ring possesses its own complete geometry, yet not one
of them exists autonomously. Their forms mutually define one another, creating a sense of continuous movement, as if one volume gradually flows into another. The sculpture has no defined beginning or end — the eye constantly follows the trajectory of the metal, returning to the point of intersection.
Weight: 6 g
Finish: Silver
Each ring possesses its own complete geometry, yet not one
of them exists autonomously. Their forms mutually define one another, creating a sense of continuous movement, as if one volume gradually flows into another. The sculpture has no defined beginning or end — the eye constantly follows the trajectory of the metal, returning to the point of intersection.
Weight: 6 g
Finish: Silver
LUMINA BROOCH \ PENDANT
A spiral needs no interpretation — it is itself an act, not a sign. The form in which parallels converge does not symbolize attraction: it is attraction, made present without the mediation of metaphor. We are too accustomed to asking what a thing means, instead of allowing it to simply be present before us in the full erotics of its surface.
Weight: 15 g 50 × 50 × 25 mm
Finish: Silver, cubic zirconia
A spiral needs no interpretation — it is itself an act, not a sign. The form in which parallels converge does not symbolize attraction: it is attraction, made present without the mediation of metaphor. We are too accustomed to asking what a thing means, instead of allowing it to simply be present before us in the full erotics of its surface.
Weight: 15 g 50 × 50 × 25 mm
Finish: Silver, cubic zirconia
BIRCH PENDANT
A wearable art object based on the texture of birch bark. The natural pattern is translated into metal and becomes an abstract surface — a trace of structure, time, and material transformation.
Weight: 10 g
Finish: Silver, cubic zirconia
A wearable art object based on the texture of birch bark. The natural pattern is translated into metal and becomes an abstract surface — a trace of structure, time, and material transformation.
Weight: 10 g
Finish: Silver, cubic zirconia
ABOUT ZOYA RADA
BODY OBJECTS
ZOYA RADA is the founder of a brand of sculptural objects for the body, at the intersection of contemporary art, fashion, and design. The piece of jewelry ceases to be an accessory and becomes an independent work of small sculpture.
TRACE OF MOTION is a collection exploring movement as the source of form. Each object is born from a sculptural gesture — a bend, an intersection, a rotation of line. The pieces do not depict movement; they preserve its trace, transforming metal into a material memory of impulse, force, and the moment of becoming.
TRACE OF MOTION is a collection exploring movement as the source of form. Each object is born from a sculptural gesture — a bend, an intersection, a rotation of line. The pieces do not depict movement; they preserve its trace, transforming metal into a material memory of impulse, force, and the moment of becoming.
+7 960 249 32 39
izoya8@gmail.com
izoya8@gmail.com
ST. PETERSBURG
